
[cnn-photo-caption image=http://i2.cdn.turner.com/cnn/2009/images/05/18/intv.hoekstra.art.jpg caption="Rep. Peter Hoekstra adds to the criticism of Nancy Pelosi and whether she knew waterboarding was being used."]
House Speaker Nancy Pelosi might be fighting for her political future this week. Republicans say if the CIA misled Congress on the use of torture on terror suspects as Pelosi has claimed they want to see proof.
Pelosi wants the full transcript of classified notes of a 2002 briefing on waterboarding made public. She says that will prove she was not told the technique was being used. A top Republican on the Senate Intelligence Committee insists that he read those notes from that briefing and that Pelosi is wrong.
Congressman Peter Hoekstra (R-MI) is the ranking member of the House Intelligence Committee. He says Pelosi needs to be held accountable for what she has said. He spoke to Kiran Chetry on CNN’s “American Morning” Monday.
Kiran Chetry: As a member of the House Intelligence Committee, how much information were you or your colleagues given regarding interrogation tactics?
Peter Hoekstra: I expect that what happened is very much like the briefings I received in 2004 when I became chairman of the committee. You get a very, very detailed briefing as to exactly what's going on in the program that the CIA may be laying out for you. When the briefing is complete, there's really a couple of questions that either they ask or that you ask. It's kind of like... is there any other additional information that you feel you need, congressman? And then really the implied question is... do you agree or do you not agree with the program and the tactics that we’ve put in place?
Chetry: So realistically speaking, if Nancy Pelosi at the time was informed about the waterboarding as a potential technique or even currently being used, would it be the proper or the de rigueur thing to do to write a memo expressing your opposition to that?
Hoekstra: Well, actually, the first thing you would do in the briefing, you would express your anger or your disagreement with the policy that you may be briefed on. If you don't get satisfaction from the briefers, because they're not the ones that are really making the decisions, what you would then do is go back to the leadership in your political party, in this case, she would have gone back to the minority leader and said... hey, there's a practice being contemplated or being acted on in the intelligence community that I disagree with and I think that we need to stop it. And then you would go to the president. There's lots of options that you can use.
Here are the big stories on the agenda today:
[cnn-photo-caption image=http://i2.cdn.turner.com/cnn/2009/images/05/15/rappa.john.art.jpg caption="John Rappa sits at his switcher before the show starts. The switcher is how he controls what goes on the show."]
Each Friday in “Meet AM,” we’ll introduce you to the people who get American Morning to air.
Today, we’d like you to meet John Rappa. John is our very busy technical director. Whether you’re seeing live video from a camera, great video from yesterday, or still graphics, John is the one who’s putting it there. So as you can imagine, he’s great at keeping his eye on everything! He’s been with AM for six years.
How did you end up doing what you do?
I went to school at SUNY Plattsburgh, which has a student run television station. I received a Bachelor of Science with a major in Mass Communication from there. We aired about 5 hours of programming daily, some of which was live. I always knew I wanted to do something on the technical end of media. I’m not a big fan of writing, so the editorial side isn’t for me. I started with ENG camera before I switched to working in the studio and eventually the control room. I’ve done most positions on the crew, from camera and stage managing to videotape and audio and then TD and directing. Since graduating, I’ve held several different jobs including NEWS12, WNBC and MSNBC before I came to CNN.
Describe your average day:
I come in the early morning and start loading and checking all the equipment. This is somewhat time-consuming because I have to interface with so many individual pieces of equipment. I have to make sure cameras on the fifth floor, graphics on the fourth floor and server clips from Atlanta are all in working order, and then send the program feed back to master control in Atlanta. The most important piece of equipment I use is called a production switcher which is essentially a router for all the video sources used during American Morning. All the studio cameras, remote cameras, prerecorded clips and graphics funnel into the switcher where I composite the images into the program you can see on television. After American Morning I work on other programming for CNN.

